Final white papers
Published June 18, 2012
Introduction The SEAD network is a community of advocates for the importance and value of research and creative work across the arts and sciences. There are two groups funded by NSF EAGER grants: NSEAD and XSEAD. SEAD was adopted to acknowledge that the two groups have linkages.
The White Papers project was proposed early on within the NSEAD group as a way to build community around perceived challenges and opportunities relative to engagaing art/design with engineering/science disciplines. The White Papers Working Group is conducting this research for the network going forward, to structure actions and make them relevant to stakeholders.
The papers posted here are the response to this open call from our global network. They represent a spectrum of interests in advocating for trans-disciplinarity between arts, sciences, and technologies. The call asked for authors to submit a plan of action and identify stakeholders who might be instrumental in carrying out such plans. The individual efforts do not represent a collective aim towards any explicit initiative. Rather, they offer a broad array of views on barriers faced and prospective solutions.
The SEAD White Papers project is not intended to offer direct proposals for funding, though some individual papers may do so. The SEAD network acknowledges that network funding should best be distributed across a range of stakeholders.
The White Papers project is not an effort to claim that art advances science or vice versa. Though individual authors may do so, the network is giving voice to opinions individually and collectively.
SEAD network, the White Papers Working Group, and the conversations enabled here should be acknowledged as different entities, and the objectives of SEAD not necessarily the same as that of individual suggested actions.
For more background on the organization of SEAD please see:http://sead.viz.tamu.edu/pdf/SEAD_Annual_Report_Summary_5_2012.pdf
This material is based upon work supported by the National Science Foundation under Grant No.1142510, Collaborative Research: EAGER: Network for Science, Engineering, Arts and Design (NSEAD) IIS, Human Centered Computing. Any opinions, findings, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the National Science Foundation.
(Re)Structuring Innovation: Community-Based Wet Labs for Art-Science Collaborations
Coordinators: Steven J. Barnes & Carlos Castellanos
Ex-Scribing The Choreographic Mind – Dance & Neuroscience In Collaboration
Coordinator: Glenna Batson
Transdisciplinarity: Challenges, Approaches And Opportunities At The Cusp Of History
Coordinators: Dr. Martha Blassnigg and Dr. Michael Punt
Gathering STEAM: Bridging The Arts And Sciences To Expand Public Interest In Science, Technology, Engineering, And Math
Coordinators: Marjory Blumenthal and Ken Goldberg
Creative Artificially-Intelligent Agents For The Arts: An Interdisciplinary Science-And-Arts Approach
Coordinator: Jonas Braasch
Using ‘Processing’ As A Stimulus For Producing STEAM
Coordinator: Ron Brown
A New Ecology Of Learning: Ecological Systems As Pedagogical Models
Coordinator: Pavel Cenkl
Science-Art Interactions In Asia With Particular Reference To India
Coordinator: Dr. Krishna Kumari Challa
Bridging The Divide: Collaboration, Communication And Education In Art And Science
Coordinator: Nathan Cohen
A Case Study in IP arising in Art/Science Performance Research and Transdisciplinary Collaboration
Coordinator: Josie E. Davis
From Workshop To Academic Laboratory, An Artistic Experience Of Transdisciplinarity
Coordinator: Jean Delsaux
Interdisciplinary Courses, Positions, PhD, In Italy
Coordinator: Michele Emmer
Between Barriers And Prospects: Merging Art Performance And Engineering In Mobile Music Education And Research
Coordinator: Georg Essl
Bridging the Silos: Curriculum Development in the Arts, Sciences and Humanities
Coordinator: Kathryn Evans
SEAD: From Success To Succession
Coordinator: Bronac Ferran
Learning Computing Through Game Experiences
Coordinator: P. Fishwick
CoRE Challenges: the artist in residence programme at the British Heart Foundation Centre for Research Excellence, Queens Medical Research Institute, University of Edinburgh
Coordinator: Chris Fremantle
DIWO (Do-It-With-Others): Artistic Co-Creation As A Decentralized Method Of Peer Empowerment In Today’s Multitude
Coordinator: Marc Garrett
Data Sonification; An Emerging Opportunity For Graduate Music/Sound Design Departments To Expand Research In An Art And Science Collaboration
Coordinator: Scot Gresham-Lancaster
Environmental Equity: Enabling Excellence In Media Art And Science In Under-Served Communities
Coordinator: Molly Hankwitz
Emergence Of New Institutions For Art-Science Collaboration In France And Comparison Of Their Features With Those Of A Longer Established One
Coordinator: Christian Jacquemin
Mapping Space: Introducing Geographical Information Systems in Indian School Classrooms
Coordinator: Anu Joy
Hackteria.Org: Nomadic Science And Democratized Labs
Coordinator: Denisa Kera
Artistic Research Collaboratives In Science, Engineering And Technology (ARCiSET)
Coordinator: Kanta Kochhar-Lindgren
Thinking With Things: Feeling Your Way Into STEM
Coordinator: Sarah Kuhn
How I Became An Art[Scient]Ist: A Tale Of Paradisciplinarity
Coordinator: François-Joseph Lapointe
Interactions Among Scientists/Engineers And Artists/Designers In Developing A Common Language And Unique Perspectives On Today’s Challenges
Coordinator: D.L. Marrin
Bio Structures And New Media A Pending Prospective On Possible Futures Experienced In South America
Coordinator: David F. Maulen
The Cross-Disciplinary Challenges Of Visualizing Data
Coordinator: Isabel Meirelles
Exploring a Model of Transdisciplinary Research Collaboration based on Collective Action Theories
Coordinators: Cristina Miranda de Almeida and Benjamin Tejerina
Towards A Taxonomy Of The Challenges Within Typologies Of Collaborations Between Art – Design – Engineering – Science – Humanities – A Practical Guide
Coordinator: Jennifer Nikolov(a)
Building An Interdisciplinary Research Team
Coordinator: Sile O’Modhrain
The Nanoart 21 Project
Coordinator: Cris Orfescu
SARC (Scientists/Artists Research Collaborations)
Coordinator: Jack Ox and Richard Lowenberg
The Coming Of Age Of A PhD Program In Digital And Experimental Arts Practice: Lessons Learned And Challenges For The Future
Coordinators: Juan Pampin and James Coupe
The Openlab Network Facilitates Innovative, Creative And Collaborative Research With Art, Community, Design, Technology, And Science At The University Of California Santa Cruz
Coordinator: Jennifer Parker
Fragments /Examples On Science / Art / Collaborations And The Local / Social / Personal Context
Coordinator: Miklós Peternák
Developing an Innovation Workforce While Increasing K-12 STEM Engagement and Learning: Integrating Innovation Thinking Skills with Mandated Content
Coordinator: Lucinda Presley
How SEAD Network Can Advance Experimental Economics: A Case Study Of Innovation And Entrepreneurship In Support Of Rural Community And Economic Development
Coordinator: Joan Quintana
The Importance Of Early And Persistent Arts And Crafts Education For Future Scientists And Engineers
Coordinator: Robert Root-Bernstein
Case Study: Cultivating Art And Science In The Petri Dish: The Culture At Work Project
Coordinator: Sherryl Ryan
Humanities Education In Karnataka
Coordinator: Sundar Sarrukkai
Humanities In Science And Technology Institutes (A Case Study Of One Institute In India)
Coordinator: Sundar Sarrukkai
Cultivating Artscience Collaborations That Generate Innovations For Improving The State Of The World
Coordinator: Todd Siler
Complexity Art: A Pattern Of Transdisciplinary Emergent Properties Coordinator: Myriam Solar
Opportunities and Obstacles Facing Scientists, Mathematicians, and Engineers Deeply Engaged in the Arts and Design
Coordinator: Carol Strohecker
Gender And STEM: No Shift Required
Coordinator: Deborah Tatar
Creations Of Many Minds: Contextualizing Intellectual Property Issues Arising From Collaborations Across The Disciplines Of Science, Engineering, Arts, And Design
Coordinator: Robert Thill
Sauti Ya Wakulima: Using Mobile Phones To Make The Voices Of Rural Farmers In Tanzania Heard
Coordinator: Eugenio Tisselli
Vitamin A: A Modest Proposal To Introduce Trace Amounts Of Contemporary Art Into Research By Preparing Students In Art, Design, Engineering, And Science For Collaborative Creative Work, With The Intention Of Saving Earth
Coordinator: Meredith Tromble
Chaos, Computers, And Cyborgs. Developing The Art & Technology Practices In Taiwan
Coordinator: Yu-Chuan Tseng
Process Driven Potentials For Interdisciplinary Learning: UBEATS, A Model For Science And Music Learning
Coordinator: Cynthia L. Wagoner
A Study Of Art/ Science Collaboration In China And Hong Kong
Coordinator: Annie Wan
Learning Across Cultures
Coordinator: Roy Williams
Can Art Advance Science? A Hypothetical SEAD Experiment
Coordinator: Jonathan Zilberg
What is on the mind of the international art science community ?
[…] https://seadnetwork.wordpress.com/white-paper-abstracts/final-white-papers/ […]
SEAD White Paper – Learning Across Cultures
[…] paper “Learning Across Cultures” has been accepted by SEAD and posted on their site along with a number of other papers. […]
What is the Art-Science-Technology Thinking ? ; First Thought
[…] https://seadnetwork.wordpress.com/white-paper-abstracts/final-white-papers/ […]
SEAD SECOND THOUGHT: DANCE AND NEUROSCIENCE IN COLLABORATION
[…] https://seadnetwork.wordpress.com/white-paper-abstracts/final-white-papers/ex-scribing-the-choroegrap… […]
SEAD THIRD THOUGHT: ARTISTS in HEART RESEARCH
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Hmm: Does Current Intellectual Property Law Impede Art Science Practice; A SEAD new Though.
[…] https://seadnetwork.wordpress.com/white-paper-abstracts/final-white-papers/ […]
Is DYI DIWO the solution to art science collaboration ?
[…] https://seadnetwork.wordpress.com/white-paper-abstracts/final-white-papers/diwo-do-it-with-others-art…/ […]
Artists postpone end of the world , now mobilise to save the planet ?
[…] https://seadnetwork.wordpress.com/white-paper-abstracts/final-white-papers/ […]
Whats on the MIND of the art science technology community ?
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SEAD study on how to enhance collaborations
[…] The 100 SEAD white papers can be found at: https://seadnetwork.wordpress.com/white-paper-abstracts/final-white-papers/ […]
[…] I have the pleasure of being a part of the SEAD (Science, Engineering, Art and Design) Network, a group funded by the National Science Foundation to promote communication across thinkers in the sciences and arts. “Innovation stemming from interdisciplinary creativity is a major contributor to the development of new, sustainable economies and harmonious, cooperating societies,” their statement reads in part. Joining science and engineering with art and design is brilliant, and a trend I hope will continue to grow. These disciplines are clearly related, but our culture separates them at birth. Under the banner of “STEM (Science, Technology, Engineering and Math) to STEAM (adding an ‘A’ for Arts),” many scholars, activists, and policymakers are beginning to recognize and reconstruct the connections we’ve allowed to atrophy. SEAD has solicited, peer reviewed, and posted online a collection of White Papers, which I recommend for browsing. […]
[…] https://seadnetwork.wordpress.com/white-paper-abstracts/final-white-papers/ […]
[…] https://seadnetwork.wordpress.com/white-paper-abstracts/final-white-papers/ […]
[…] the active collaboration of over 200 members of our community I( see the over 60 white papers at https://seadnetwork.wordpress.com/white-paper-abstracts/final-white-papers/ ). This led to the report was published this year as “Steps to an Ecology of Networked […]